Posts Tagged ‘Evil Faces volume II’

Dark Places, Evil Faces volume II

January 31, 2019 - 10:55 pm No Comments

As part of LGBTQ+ month, author Lisa Vasquez answered my plea for an interview and books to review. The 1st book that was suggested was The Unfleshed: Tale of the Autopsic Bride. As I had read and reviewed this book we had to come up with another. As a writer of short stories, Lisa Vasquez has featured in quite a few anthologies. Dark Places, Evil Faces volume II is one of the latest publications featuring one of her short stories and an added bonus all sales from this book go to Rethink Mental Illness  

Following after my review is an interview with Lisa Vasquez.

Dark Places, Evil Faces volume II

Published by Dark Terror Publications on 26th October 2018

501 pages

This book consisted of 31 short stories, perfect for when you need a short burst of horror. Every story was different, with various lengths and subject matter.

Starting off my review is Lisa Vasquez’s story is Mazie Shade of Winter. George was a successful author, happy with his life, then tragedy strikes making him a widower. 2 years later, we join him whilst he is trying to finish his latest work. Battling a storm, there is something more sinister than forked lightning. Reading this story you can feel George’s sense of loss and the guilt he had for not being there. However, the further you go into the story, you soon realise that George has something to hide. As the storm intensifies so does the story. With the basement having history and the constant clicking noise, you could understand George’s fear. However, when the lightning lit up the basement, not only was George’s secret revealed but there were a few unexpected surprises waiting. A creepy story.

Other stories I enjoyed were:

Man of Renown by Terry Grimwood: Set in 1888, Emily was always in fear, whether it was from violent clients or the Rips, a sadistic group of men. On one hectic night, a quiet unassuming gentleman came to her rescue and started a very unusual friendship. As you read this story, you are transported to the Victorian streets, the descriptive writing has you imagine the sights and sounds and Emily works her trade. The ending was unexpected and could this be another explanation of the deaths at the time.      

Christmas with the Dead by Joe R Lansdale: Christmas time and Calvin wanted to decorate his house. What was different this year was the town was populated by Zombies. One thing I enjoyed when I was reading this story was the unusual way the people were turned. This was a story of survival and remembering the dead. A new friendship is formed and a festive ending.    

Red Shoes by Andrew Lennon: Following Kurt and his vicious fixation with red shoes. This story is told over one night as we follow Kurt following his next victim. Whilst on his journey, he reminisces about his victims. The tension builds right up to the end as you are waiting for him to strike.           

An Acquired Taste by Pippa Bailey: Detective Pascal is in charge of an unusual case. Men are found in their beds naked and in a coma. Their only mistake was to be in bed by themselves, asleep and having a window open. Whilst we knew who was behind the attacks, it is only when a specialist joins the team do the details come out and you can see the struggle that the Detective has in believing the facts. Fast paced fantasy.       

Daddy’s Little Girl by Dale Robertson: Hayley’s parents were separated, all she wanted to do was stay with her dad. After finding an unusual box at a car boot, events start to unfold. The story draws you in with how sweet and innocent Hayley is. As you are reading the story, the true horror of the box is revealed and whilst the ending was to be expected the build-up wasn’t.

As well as the short stories there are two touching tributes. Lisa Vasquez writes a moving tribute to Draven Ames and Wrath James White writes a tribute to Jack Ketchum and after both tributes, there is a chance to read a short story by Draven Ames and Jack Ketchum.

As mentioned this book is for charity and with its bumper pages, you will surely find a short story to please you.  

Carry on to read my interview with Lisa Vasquez     

Could you tell the readers a little bit about yourself?

Originally from Chicago, I implanted to Houston in 1996. A lifelong horror fan, I was raised on silverscreen horror (Universal Monsters, Silent Films) and Godzilla. My earliest memories are watching them with my (step)dad and him explaining the magic of special effects to me. I have been writing since the fourth grade and it’s the way I express myself, exorcise demons and fears, and address issues going on in current events (let’s face it, humans are the real monsters).

Currently, I run Stitched Smile Publications, and it’s one of my biggest accomplishments. I’m proud of how far we’ve come, how much we’ve given back, and the family we’ve formed.

Why horror? What is appeal of the genre to you as both a fan and as a writer?

Horror is designed to make us uncomfortable. It makes us think based on fear, stress, and triggers. If you want to know the real person, put them in a horrific situation. As a writer it allows me to venture into dark corridors of the mind, and as a reader, I get the thrill of not knowing what the author has in store for me.

As LBGTQ+ fan and writer of horror, how did you when you first became immersed in the genre and found that representation that you could identify was few and far between?

I honestly feel people are still afraid to address this issue. It’s still the “unknown”, it’s still a very real and raw subject matter. As much as we don’t like to believe our faith or moral upbringing plays a part in it, it does. Those things are like barbed quills. Removing them is painful. Anne Rice was brilliant in her application of these characters, and that’s when I realized there was a serious lack of it, elsewhere.

How did you discover authors that wrote about characters that you could relate to? Other than the horror genre, what else has been a major influence on your writing?

I discovered Thomas Harris and Hannibal in my high school years, I think it was. Such an impact he had on me!  This likeable monster wasn’t in an unfamiliar form (eg; Frankenstein, Dracula), he was human. What he went through broke him-absolutely ruined him. I began to wonder, what causes a human to transform into such a creature?

Other than horror I thoroughly enjoy dark fantasy. New worlds, new creatures, expanded creativity … it’s all nicely packaged and wonderful.

The term horror, especially when applied to fiction always carries such heavy connotations. What’s your feeling on the term “horror” and what do you think we can do to break past these assumptions?

Horror has terrible associations with it. I think people call to mind the most graphic and terrible things in their memory when they encounter it and it sticks to their brain like a tumour. Education comes only when they expose themselves to more reading and accepting things like Paranormal, Crime, Sci-Fi, and dark fantasy all have elements of horror in them. Look at the movie, ALIEN. How frightening it was when it came out and yet people don’t associate it with horror like they do THE EXORCIST. Truthfully, they are all cousins in my opinion. When they box horror into a tiny container, they forget there are many more masks it wears.

A lot of good horror movements have arisen as a direct result of the socio/political climate, considering the current state of the world where do you see horror going in the next few years?

Oh, political horror has been around for ages, only more veiled because the author-and the people caught with the material-feared punishment from their government. With our freedoms now, it’s much easier to speak out without mincing our words. Looking at 1984, for example, or THE LOTTERY, we can see how those same fears apply now. I love THE HANDMAIDEN’S TALE because the author took actual real news headlines and used them to create a tale in which we had to come face to face with what we’ve done to ourselves and each other. My hope is we open our eyes and see it for what it is, not just fiction. Where do I see it going in the next few years? Wherever the real fears are. In the 50s it was nuclear war and invasions. Horror is simply a mirror … a big, dark, ugly mirror and we are its reflection.

What are the books and films that helped to define you as an author?

The books I love and have had to replace several times are Thomas Harris’ THE SILENCE OF THE LAMBS series, PATIENT ZERO by Jonathon Maberry, BIRD BOX by Josh Malerman, and Anne Rice’s THE VAMPIRE CHRONICLES.

Mary Shelley’s FRANKENSTEIN had a huge hand in influencing me, Edgar Allen Poe, Shakespeare, and Emily Bronte’.

Films I’d say impacted me? Definitely ALIEN, DRACULA, NIGHT OF THE LIVING DEAD, HELLRAISER, SILENCE OF THE LAMBS, GATES OF HELL … geeze I can go on but those are just off the top of my head.

In recent years there has been a slow but gradual diversification within the genre, which new LBGTQ+ writers do you think we should be paying attention to?

We have our eye on Steven Stacy and have published works by Carmilla Voiez. Some of her work is off the charts and the books she’s published have beautiful artwork to compliment her words. To be honest, I couldn’t tell you who else to look out for because I don’t read authors based on their sexual preference or gender. With that said, I would like to see more of them making debuts. The outlet for expression is powerful. Let their voices be heard, not because of their sexual preference but because they tell a kick ass story! My hope is we will see more women, LBGTQ, disabled, and minority writers come into their own so we don’t have to label them and protect them from being swept under the carpet.

How would you describe your writing style?

I am my own worst critic, and I think that’s true of most authors. I still have a lot of growing to do, but I think my style is a mish mash of macabre and gothic.

Are there any reviews of your work, positive or negative that have stayed with you?

I was deeply touched by John Palisano’s review of THE UNFLESHED, TALE OF THE AUTOPSIC BRIDE. I was extremely vulnerable when I released it and seeing someone like him give it praise made me feel validated in way.

Negative? Oh yeah, I had two girls review it and say it made no sense and it raised my hackles a little but I got over it rather quickly. My writing isn’t for everyone, I’m ok with that. Just say you didn’t like it. When people poke fun at it to appear “witty” in public, I find it to be another form or bullying. You can criticize a work intellectually. Unless you’re a comedian and that’s your job…stick to your day job.

What aspects of writing to do you find the most difficult?

Editing. Uggghhh … that’s why I hired Donelle (Pardee Whiting)

Are there any subjects that you would never write about?

Never say never. I try to avoid certain subjects but if the story dictates it, I’ll have to confront it. The skill is in how you tread along the delicate nature of some subjects. Yes, horror is meant to be uncomfortable but for me personally, I feel some subject matter is too much. What others write about is their own choice.

Writing, is not a static process, how have you developed as a writer over the years?

The truth is I teach and mentor. If you can open yourself to learning from others and be a real scholar, you never stay stagnant. You understand life is about learning and giving back. Fill the pitcher so you can refill it.

What is the best piece of advice you ever received with regards to your writing? Getting your worked noticed is one of the hardest things for a writer to achieve, how have you attempted to break through the barriers that are so often in place against LBGTQ+ writers?

The best advice is to write for ME. Hone your skill, listen to feedback, but never try to fit a mold. And as AJ Brown says, “keep it simple”. As for breaking the barriers for LBGTQ? Be brave, be true, and never apologize. You have a voice. Unleash it. I also suggest networking. There’s strength in numbers. Teach acceptance, not tolerance. You don’t have to be “tolerated” … you have a right to be yourself and to be proud of it.

Many CIS white male authors use LGBTQ+ characters in their works, what’s the mistake that they make when trying to portray these characters?

They assume, and it’s dangerous. You’re assuming what you see, what you’ve heard, what media portrays is how things are. Research means talking to people who live what you’re writing about. If you continue to portray people in a false light you offend them and perpetrate lies. Never assume what a person has walked through and felt. Ask them.

Moving on to getting your work read by unwashed masses, what do you think is the biggest misconception about LGBTQ+ fiction?

That it’s porn. I think it’s the simplest way I can put it.

There are as number of presses dedicated to LGBTQ+ fiction, do you view these as a good thing, or do you think they help to perpetuate the ongoing exclusion from mainstream presses?

It’s good until it boxes them in. Sometimes, you have to put yourself out there, expand your audience, and take a risk. If another publishing house wants your work, it’s a step forward. Take it and run!

And here is the million dollar question do you agree with movements like this and things such as Women in Horror Month? If so how would you like to see sites such as Ginger Nuts of Horror tackle diversity?

Women in Horror and LGBTQ is as important because it says, “we support these writers into our world”. When someone of influence like GINGERNUTS OF HORROR stands up for others, people take notice. I always say, “If you aren’t condoning it, you’re supporting it” when it comes to negative behaviour. Then again, I’ve always stood up for those who have little to no voice. We are all human, we are supposed to be evolved and past all this bullsh*t. If people put more time and energy into learning their craft and writing, there would be less time to allocate to negativity.

The most common phrase you hear when people object to active movements to encourage all forms of diversity is “I don’t care about the sexuality, gender, color etc etc of the writer I only care about good stories” what would you like to say to these people?

You won’t get a chance to read all the good stories until you care.

To many writers, the characters they write become like children, who is your favorite child, and who is your least favorite to write for and why?

I don’t have a least favorite … and I can’t choose between my children. They are all so “alive” to me. Each one has a purpose and if they didn’t, I wouldn’t have spent all the time to cultivate and create them.

What piece of your own work are you most proud of?

THE UNSAINTLY. Even though its no longer in print as I re-edit/rewrite it, it was my first finished novel length piece and taught me the most.

For those who haven’t read any of your books, which of your books do you think best represents your work and why?

I worked very hard on THE UNFLESHED: TALE OF THE AUTOPSIC BRIDE and I feel it’s the best I’ve put out so far. I have a lot of short stories, but I feel I got to shine a little in THE UNFLESHED.

Do you have a favorite line or passage from your work, and would you like to share it with us?

“Condemn me to my belly, I’ll still walk all over you.” THE UNSAINTLY

Can you tell us about your last book, and can you tell us about what you are working on next?

THE UNFLESHED is my last book. It’s dark, speculative, alternate history. It’s my homage to Mary Shelley and to date, my darkest tale. I’m working on a few pieces at the moment. Next up for release is a book of collected stories with several other powerful women (Jae Mazer, Jessica Raney, Donelle Pardee Whiting, and Ashley Davis) called UMBRA about dark magical creatures. Each author submitted a novella sized story to complete this work and it should be out in summer 2018.

What was the last great book you read, and what was the last book that disappointed you?

I’m still in “fangirl” mode over BIRD BOX from Josh Malerman. He took horror back for me and made it simple: the unknown. You never know in the book what the “monster” is. It’s brilliant. I wasn’t fond of ANNHILATION. Just wasn’t my cup of tea, even though I know others really loved it.

What’s the one question you wish you would get asked but never do? And what would be the answer?

I get a lot of great questions in my interviews, I’ve been lucky. I wish someone would ask me what the single most important thing is for authors. It’s reviews. The rest comes after. Yes, some want to be the next Stephen King, some want to be the next JK Rowling, some want to be rich, others want a big publisher to grab them. The truth is, none that happens if we don’t have reviews or word of mouth. Reviewers like yourself and GINGERNUTS are the only way we can survive and deserve the respect. Authors can get entitled and feel their work is worth you dropping everything “right now”. In this industry, if you’re not genuine, it’ll come back and bite you in the ass. People, especially authors, don’t easily forget. It’s a cutthroat industry, when you step on others to get ahead you burn a bridge. Popularity is fickle. At the end of the day, you have to live with yourself and your work because your work is all you have to show for everything. Integrity is how you operate when no one’s looking. I just want to be able to look at myself in the mirror every day and be happy with what I see. I want my kids and their kids not to be ashamed of the person I am. It has nothing to do with fame, or fortune, and everything to do with my reputation.

Thank you, Yvonne and Gingernuts for this interview and supporting the authors!