Archive for August, 2015

Sharp Ends Joe Abercrombie

August 25, 2015 - 7:52 am No Comments

Gollancz are thrilled to announce that they will be publishing a stunning hardback collection of superb short stores featuring best-loved characters from the world of The First Law, by Sunday Times bestselling fantasy author Joe Abercrombie. Gollancz will publish the collection in the United Kingdom and Orbit in the United States.

The short stories will be a mix of original and reissued short stories collected together for the first time, including the Locus Award-winning “Tough Times All Over.” The brand-new shorts will feature some of the most popular characters from the First Law world, including Glokta, Jezal, Logen Ninefingers, Bethod and Monza Murcatto.

Joe Abercrombie said: “I’m very pleased that some widely scattered shorts are going to be brought together in one volume along with some new stories about old friends and enemies, filling in some blanks in the map of the First Law world and offering some different perspectives on key events. I hope readers will have as much fun revisiting some of these much-loved – and much-hated – characters as I have . . .”

Joe Abercrombie’s novels in the First Law world have sold over half a million copies to date. He is a Sunday Times and New York Times bestselling author. Joe’s short stories are in demand for collections put together by some of the biggest names in the industry, including George R. R. Martin.

All the best,


Sophie Calder
Publicity Manager
The Orion Publishing Group

Angry Robot at Forbidden Planet

August 25, 2015 - 7:32 am No Comments

I was delighted last Thu to attend a multi-book signing by Angry Robot authors at the new and improved Forbidden Planet Birmingham.

First off, as well as there being books! There were biscuits and for us poor souks on Slimming World, bananas 😫

There was a great level of bantering going on, an interesting panel item on world building and the like hosted by Penny Reeve, chatting to the four authors in attendance, in no particular order; Andy Remic, Rod Duncan, Susan Murray and Matthew De Abaitua. We also had a bonus arrival of Gav Thorpe. It was great to meet old friends like Gav and Andy and meet new friends such as Penny, Susan, Matthew and Rod (who is a guest at a convention I help to organise. Novacon 45 held in Nottingham at the Park In 13 – 15 Nov.)

Here is a little bit about the books they were talking about;

The Dragon Engine: Andy Remic

Five noble war heroes of Vagandrak get drunk one night and sign a contract – to journey to the Karamakkos in search of the Five Havens. There, it is written, there lies untold, abandoned wealth and, more importantly, the three Dragon Heads, legendary jewels claimed to give unspeakable power and everlasting life to those who wield them.
But the Dragon Heads aren’t what the adventurers think they are, and the world has not encountered their like in many, many generations!

If Then: Matthew De Abaitua

In the near future, after the collapse of society as we know it, one English town survives under the protection of the computer algorithms of the Process, which governs every aspect of their lives. The Process gives and it takes. It allocates jobs and resources, giving each person exactly what it has calculated they will need. But it also decides who stays under its protection, and who must be banished to the wilderness beyond. Human life has become totally algorithm-driven, and James, the town bailiff, is charged with making sure the Process’s suggestions are implemented.
But now the Process is making soldiers. It is readying for war — the First World War. Mysteriously, the Process is slowly recreating events that took place over a hundred years ago, and is recruiting the town’s men to fight in an artificial reconstruction of the Dardanelles campaign. James, too, must go fight. And he will discover that the Process has become vastly more sophisticated and terrifying than anyone had believed possible.

The Waterborne Exile: Susan Murray

A nameless priestess will stop at nothing to get revenge on the killers of her lover.
In a world of turmoil, following the king’s death, the traitor Vasic is struggling to secure his rule over the combined Peninsular Kingdoms whilst the exiled queen, Alwenna, has taken refuge with a freemerchant community whose elders fear her dark power.
Mistrust rules the day with bribery, drugs, trafficking of children, and murder rife throughout the kingdom.
As the priestess’ plot for revenge continues, Alwenna leaves to seek the outcast group of loyal kinsman. Marten attempts to restore Alwenna to the throne but as the priestess closes in, will he succeed?

Unseemly Science: Rod Duncan

In the divided land of England, Elizabeth Barnabus has been living a double life – as both herself and as her brother, the private detective. Witnessing the brutal hanging of someone very close to her, Elizabeth resolves to throw theBullet Catcher’s Handbook into the fire, and forget her past. If only it were that easy!
There is a new charitable organisation in town, run by some highly respectable women. But something doesn’t feel right to Elizabeth. Perhaps it is time for her fictional brother to come out of retirement for one last case? Her unstoppable curiosity leads her to a dark world of body-snatching, unseemly experimentation, politics and scandal. Never was it harder for a woman in a man’s world…

It was great to hear about various methods used including editing styles, use of tools such as Dragon Dictate, gender politics in The Waterborne Exile and the engorged cock in Andy’s book, which pretty much sold it to me!

Anyway, as always, Forbidden Planet were great hosts and the staff are well informed and great to chat to. Make sure you attend one of their signings soon!

Penny Reeve
Fiction Publicity Manager
Angry Robot Books

Angry Robot Books
twitter: @angryrobotbooks | @penelopebabs

An imprint of Watkins Media Ltd. • Company No. 9171151 • Reg. office: 19 Cecil Court, London, WC2N 4HE, UK

The Mirror Empire: Gemmell Nominee

August 19, 2015 - 6:12 am No Comments

Mirror Empire

Gemmell Award Nominee Kameron Hurley is Guest Blogger on Terror Tree today, following the final award ceremony Sat 8th Aug at Nine Worlds. Hurley’s novel Mirror Empire made on the short list.

Here’s a little about Empire Ascendant, the sequel:
Loyalties are tested when worlds collide…

In this thrilling sequel to The Mirror Empire, Kameron Hurley transports us back to a land of blood mages, sentient plants, and warfare on a scale that spans worlds.

Every two thousand years, the dark star Oma appears in the sky, bringing with it a tide of death and destruction. And those who survive must contend with friends and enemies newly imbued with violent powers.

The kingdom of Saiduan already lies in ruin, decimated by invaders from another world who share the faces of those they seek to destroy. Now the nation of Dhai is under siege by the same force. Their only hope for survival lies in the hands of an illegitimate ruler and a scullery maid with a powerful – but unpredictable –magic. As the foreign Empire spreads across the world like a disease, one of their former allies takes up her Empress’s sword again to unseat them, and two enslaved scholars begin a treacherous journey home with a long-lost secret that they hope is the key to the Empire’s undoing.

But when the enemy shares your own face, who can be trusted?

So how does Hurley feel about being nominated for the Gemmell Morningstar Award?

“The Gemmells are one of those “by popular vote” awards that I always figured I never had a chance at getting nominated for. Popular vote means a lot of people have read and enjoy your work, and I’ve had people tell me for years that I was a niche writer. But I wanted to do something very different with The Mirror Empire – I wanted to tell a classic fantasy epic with all the stuff I loved about epic fantasy but without all of the things that annoyed me about it. I wanted tough choices with real consequences, and gray characters in a variety of genders trying to survive the apocalypse in a world and within in societies I’d never seen on the page before. Luckily it turns out that there were a lot of readers who wanted that, too, and I’ve been really gratified by the reception of the book. It’s an honor, as they say, just to be nominated.”
For a taste of The Mirror Empire, enjoy the excerpt below.

By Kameron Hurley
When Lilia was four years old, her mother filled a shallow dish with Lilia’s blood and fed it to the boars that patrolled the thorn fence.
“Nothing can cross the thorn fence,” Lilia’s mother said as she poured the blood onto the hungry, gnarled fence. The boars on the other side licked up the blood. Lilia liked the boars’ yellow eyes and wrinkled, mucus-crusted snouts. They reminded her of hungry babies. The thorn fence kept out the semi-sentient walking trees and conscription gangs who sometimes climbed up from the churning bay that clung to the base of the cliffs. The cliffs and the fence should have protected them forever. Her mother was a blood witch, and never doubted her power. If you fed enough blood to a thing, her mother said, it would do all you asked.
Lilia traced the scars on her mother’s arms, and her own, and she believed her.
Until the day something crossed the fence.
It was high autumn, and the leaves were falling. Lilia sat on a shallow, chalky outcrop overlooking the toxic mix of lavender poppies and bulrus ivy that cloaked the heath between her village and the thorn fence. A sea of colorful leaves swirled through the air. She had dressed herself in tattered white bone-tree leaves, pretending to be the Dhai hero Faith Ahya. She played alone, rubbing her face with dandelion heads and pretending she could fly. Her mother hated it when she played that game, because it meant climbing up onto the outcrop and launching herself off it, arms outspread, hoping with each leap that some great wind would take her into the sky.
The pale green light of the satellite Tira bathed the world in a burnished emerald glow. The sky was a brilliant amber wash. It was the only color Lilia knew the sky to be. Tira, the life-giver, had been ascendant as long as she could remember.
Lilia scrambled to the top of the outcrop once again and spread her arms. This time, surely, the wind would carry her. As she prepared to jump, she saw the trees on the other side of the heath tremble. She froze. The thorn fence stood between her and the trees. Whatever stirred there, she resolved to face it bravely.
A wave of fuzzy gray treegliders leapt from the forest canopy. They spread their webbed limbs and glided down into the field of poppies—dozens and dozens of them. The big-eyed creatures bound toward her, hurling themselves onto the thorn fence. First one, then two, then six, eight, twelve. Impaled on the hungry thorns.
Lilia shrieked and slid down from the outcrop. The barrier’s tendrils wound about the treegliders’ trembling bodies. She scrambled forward, desperate to free them.
“Take me, take me!” she cried at the fence, holding out her scarred arms. “Let them go.” She tripped and fell in the field of poppies.
A great snuffling, crackling sound came from the forest. She poked her head above the poppies. Immense white bears with jagged black manes broke through the trees. Forked tongues lolled from their massive, fanged mouths. Their riders wore chitinous red and amber armor and carried green-glowing everpine branches as weapons, the sort imbued with Tira’s power. Lilia knew those weapons well—her mother used them to kill wolverines and walking trees.
Conscription gangs sent by the Dhai in the valley to gather people for their great war carried those weapons, too. Lilia had heard dark stories of children bundled away in the night. Fear of being hauled off to join a terrible army overwhelmed her compassion, and she choked on a sob. She clawed her way back into the shadow of the stone outcrop. I am a terrible coward, she thought. Now everyone will know.
The riders barreled toward the thorn fence, trampling the dying treegliders. When they reached the fence they raised their weapons and cut it down, as easily as cutting a fresh tulip. Lilia willed herself to be still. If these people could cross the fence, they could do anything, and that scared her more than being thought a coward.
They galloped past Lilia’s stone outcrop and away—toward the towering mass of webbing that cocooned the trees around her village, protecting it from the seething, semi-sentient plants that roamed the woodland.
Lilia grabbed a loose stone at her feet and ran after them. Maybe she couldn’t face them directly, but they would not expect her to come up behind them.
She wasn’t certain when she first noticed the smoke, but by the time she came to the creek that marked the boundary of the village, gasping for breath, the smoke choked her. Great gouts of flame ate the cocoon sheathing above her, exposing the village to the dangers of the woodland.
She stumbled into the circle of the village. Found screaming chaos. The taste of smoke was bitter. She ran toward her mother’s holding, an immense banded cocoon that hung from the birch tree at the far end of the village.
From the folds of the smoke, a bear emerged.
Lilia shrieked and clutched the stone like a talisman against evil. The bear rider’s weapon was extended, glowing green and bloody; the hilt protruding from a dark seed implanted in her wrist. The rider wore no helm, so Lilia saw her face. She was indeed one of the Dhai from the valley, the ones her mother told her to stay far, far away from, even if times were lean.
Lilia held her ground. Raised her stone. Her mother had taught her how to heal a hundred types of wounds and illnesses, and shake loose a bone-tree’s prey, but no one ever taught her how to fight. She did not want to join the army.
The bear snarled at her. The rider laughed.
“Li!” Her mother’s voice.
Lilia threw the stone, and missed. The air felt heavy. She tasted copper. Glanced back. Her mother stood behind her, arms raised.
A great blinding-tree burst from the bare ground between Lilia and the rider, taking Lilia again off her feet. The blinding-tree sprouted brambled arms and sprayed a great rain of acid, a dew that ate at skin, hair and armor alike. It coated the rider and her mount—and splashed across Lilia’s right foot.
Lilia screamed and tried to wipe it away as the rider squealed and thrashed.
Her mother caught her hands. “Don’t touch it!”
The flesh sloughed off Lilia’s foot, revealing bloody tendons and bubbling, melting bone. The acid numbed her flesh as effectively as it disfigured it. The hem of bone tree leaves on her makeshift dress hissed and smoked.
As Lilia wailed, her mother ripped the dress from her body, leaving her in a thin slip of linen. Lilia thrashed. Her vision swam. She was suddenly lightheaded. I’m going to die, she thought. We are going to waste so much blood.
Her mother dragged her along, swift and silent as the world burned around them. Lilia was struck dumb, too horrified to speak. Within the sticky drapes of the trees, the immense cocoons where her people lived were burning. Great charred hunks of the cocoons fell, a rain of fire and flesh so mortifying that it took on the surreal aura of a dream. Women fled through the undergrowth, dressed in their twisted green regalia for the Festival of Tira’s Descent. There was to be feasting tonight. Blood soup. Stuffed moths. Dancing. But it was all gone, now, all in ruin.
When they came to the other side of the blazing village, her mother kicked open a discarded immature cocoon.
“Hide here,” her mother said. “Like a snapping violet.”
Lilia climbed inside. Her mother’s skin was slick with sweat and blood, though Lilia did not know where the blood had come from. When Lilia looked back from inside the cocoon, her mother pressed something into the soft flesh of Lilia’s wrist, and murmured a prayer to Tira. Lilia saw a red tendril marked into her own flesh; a trefoil with a curled tail.
“It will bring you back to me,” her mother said. “Come back to me.”
“I’ll come back,” Lilia said. “I promise I’ll come back. Please don’t leave!”
“You’ll find me,” her mother said, and clapped her hands. The broken flesh of the cocoon reknit itself.
“I promise, Mam. Don’t leave me.”
Lilia pressed her face against the edge of the cocoon, where some insect had worried open a hole. She saw her mother standing before a dozen riders wearing chitinous crimson armor. They sat rigid on their massive bears. The bears’ yellow eyes glinted. The lead rider menaced forward, a severe looking woman with a tawny face and broad jaw.
Lilia went still, like a snake. She put her hands to her mouth, fearful she would cry out and give her mother away.
“Where is she?” the rider asked.
“Gone, Kai,” Lilia’s mother said.
“You’re a liar.” The Kai’s weapon snarled out from her wrist, a lashing length of everpine that hummed with a pale green light. “You don’t have enough blood to kindle a gate.”
“I do now,” Lilia’s mother said.
Lilia felt the air condense, as if the weight of the world pressed down on her. She closed her eyes and put her hands over her ears. Heavy air meant someone was drawing on the power of Tira to reshape things. But covering her ears did not cut out the screaming.
The ground trembled. When Lilia opened her eyes, her mother stood above her, covered from head to toe in blood. She ripped open the cocoon and pulled Lilia into her arms.
“I knew you wouldn’t leave me,” Lilia said.
But Lilia could see something over her mother’s shoulder. Four paces behind her, a dark, tattered shadow rippled across the fabric of the woodland, as if some great beast had rent a hole in the stuff that made up the sky. Between the black tatters Lilia saw hints of another woodland, a field of black poppies, and some hulking structure in the distance. The double hourglass of the suns’ light was reflected from a massive glass dome there. The light hurt Lilia’s eyes. Beyond it, Lilia saw the faint red blot of the third sun in a lavender-tinged blue sky, suffused with the green light of Tira in the distance.
Lilia blinked and gazed up into the sky above her, on her side of the rift. She saw the same hourglass suns, and the third red sun. But the sky on her side was amber, not lavender-blue. And as the suns sank in her sky, the horizon was a brilliant, blazing crimson, as if the suns bled. Why was the sky different on the other side?
“It’s time to be brave,” her mother said. “You remember what I said about being brave?” She set Lilia down and pushed her toward the tear in the world. “I’ve opened a gate. Hurry now. I’ll bring the other children and follow after.”
“But Mam—”
“No questions. Be brave. You remember what I said about the Dhai from the valley, and what would happen if they came here among the woodland Dhai? Go now, Li, before it’s too late and this was all for nothing.”
“I’m not a coward,” Lilia said. Her eyes filled. She wanted to throw herself at her mother’s feet. Instead, she rubbed the tears from her eyes, and stumbled forward.
She fell through the waving tatters between the reflected worlds, tumbling into the field of black poppies under the new sky. She looked behind her.
Her mother had turned her back on the gate. The Kai stood before her, bloody everpine weapon in hand, a tangle of poisonous vines crawling up her opposite arm. Blood wet the vine. The Kai swung her sword.
The weapon crushed Lilia’s mother’s collarbone. Her body crumpled; a mangled succulent.
The Kai stepped over her mother’s body. Her shiny crimson armor was soaked in blood and tattered plant matter. The vine on her arm was shriveling now, turning to brown dust.
The Kai reached for her—
But her fist stopped short on the other side of the parting of the worlds, as if it met some invisible barrier. The Kai’s face twisted in anger.
“Motherless woodland fool,” the Kai said. “I have other cats to whip. Oma is rising, and we will rise with it.”
The air around Lilia contracted. The world pulled her down, as if she had gained three times her weight. She put her hands over her ears. Closed her eyes.
When Lilia opened her eyes, she stood alone in the field of poppies in the middle of a deep, wooded glen. The tear in the world was gone. She saw the emerald light of Tira high in the lavender-blue sky, and the hourglass of the twin suns. Her foot ached badly; the numbness was wearing off. She saw the bloody, melted flesh of her ruined foot covered in dirt and curious flies.
Lilia retched.
A plump woman stood at the edge of the clearing. She had a kind face, and a thick mane of silver hair; swaths of it peeked out from beneath the broad hood of her coat. She held a large walking stick.
“Where is Nava, child? Your mother? Where are the others?”
Lilia held out her wrists. “Please cut me,” she said. “If you’re a blood witch too, you can bring her back.”
The woman recoiled. “Child, drop your hands. Don’t speak that way here, no, no. Things are very different here. I’m Kalinda Lasa. You’re to come with me, you understand? And no more talk of blood witches. Witches, of all things? Tira’s tears.”
Lilia kept her hands outstretched. “I made a promise.” Her voice caught. “I have to find my mother. I promised.”
“We all want a good many things, child, but it doesn’t mean we get them,” Kalinda said. “I’m sorry. The world—all worlds—are bigger than the both of us, and your mother too.” She glanced at Lilia’s foot. “If you want to keep that limb we must go quickly.”
“My mother,” Lilia said, and finally dropped her hands. It was like grasping at air. Already the horrifying morning felt like a terrible story that had happened to someone else.
“Your mother is dead, likely,” Kalinda said. “You’ll meet her fate too unless you come with me.”
“But I have to—“
Kalinda gently took her arm. Lilia felt numb. Her attention grew hazy. The light here was so different, dazzling, as if she’d come from a place where she only saw things through a haze of smoke. It was the sky, she realized, staring up at the blue-lavender wash. The sky was so different.
“You can keep your promise,” Kalinda said softly, “but do so when you’re a woman, not a little girl. Your mother will forgive you for waiting awhile longer.”
Kalinda brought her to a small camp on the other side of the field and bound her foot. Then she loaded Lilia into the back of a bear-pulled cart. They traveled some time before halting at the steps of a grand temple. Lilia recognized it as the structure she had seen when she first peered through the tear in the world.
“A pity you have no magical talent yet,” Kalinda said, gazing up at Tira’s waning light. “But we all have our place. The Temple of Oma will look after you, child. Keep your head down. Don’t cause any trouble. And don’t tell any wild stories. You’ve been ill, and your mother is dead. That’s all they need to know. No blood witches. No armies. You understand?”
Lilia nodded, even though she didn’t understand at all.
“You’ll be safe here,” Kalinda said. “Until they come for you again. But we’ll be ready, then, won’t we?”
It was only after Lilia woke the next morning in her simple bed in the Temple of Oma scullery, and saw that the red tendril her mother had pressed into her flesh was gone, the skin red and blistered as if she’d been washed in poison ivy, that she wondered if she herself was just some shadow, another person’s memory from some other life.
It was in the Temple of Oma, many months later, that Lilia met the Kai a second time.
“You’re welcome here,” the Kai said to Lilia and the twelve other girls and boys admitted to the temple that season as they lined up in the great foyer to meet her, safe behind the crown of webbing that kept out the worst of the toxic plant life that still crawled across the valley. This Kai had the same severe, unwelcoming face that Lilia remembered from their first meeting. But she wore no armor, and her wrist bore no seed of a retracting weapon. If she knew Lilia at all, she did not show it.
“And what brings you here?” the Kai asked.
“My mother,” Lilia said. “Some people say she’s dead, but I’m going to find her.”
The Kai smiled, but it was a sad smile. “You’re a woodland Dhai,” the Kai said. “I can tell from your accent.”
“And you’re one of the Dhai from the valley,” Lilia said. “But where is your army?”
The Kai laughed. “Army? I’m not sure what the woodland Dhai tell their children, but there is no army here. We are a peaceful people, just like you.”
“But I saw you with a sword.”
“I’m sorry, child, I’ve never picked up a weapon in my life.” She hesitated, then, “It must be very confusing, to lose your family. Don’t fear. We’re your family now. Everything may seem very different, for a time. But we’ll help you get through it.”
Lilia thought to ask her about the sky, too, but the Kai was already moving on to the next child.
The Dhai people in the valley were not at all what she thought they were. In truth, she wondered if these were really the same people who burned her village, or if she’d dreamed the whole thing after all.
For many years after, Lilia dreamed of treegliders. Some years, she even forgot about her promise to her mother. But when she was fifteen, well after Tira’s descent, when Para, the Breathmaker, bathed the world in blue light, she sketched out the trefoil with the tail her mother had pressed into her flesh on the back of a book in the temple library, and handed it over to her best friend Roh—a novice learning to draw the breath of Para—in the hopes he’d find some record of it in the temple libraries she didn’t have access to. She wanted to know how much of her memory of her former life was the terrified fantasy of a young girl.
“What’s this for?” Roh asked as he pondered the paper, bouncing back on his heels.
“I’ve been a coward too long,” she said. “It’s time to be brave.”
He laughed. She didn’t.
That night, for the first time in over a decade, Lilia did not dream of a bloody Dhai army.
Because ruin so often came from the sky, borne by fickle satellites on erratic orbits, Shao Maralah Daonia did not think to look to the sea until it was too late. She expected the next wave of invaders to come in overland, after falling from a tear in the sky, the way they had the last six years.
Instead, the invaders came in on the morning tide. They drove before them a seething swarm of vegetal-flesh—a massive black surge of death that slithered up the coast like ravenous snakes of acidic kelp, devouring all it touched. Six cities had fallen to the same onslaught in six weeks, driving Maralah and her army further south. Now they came for the seaside city of Aaraduan, last stronghold in Saiduan’s northernmost province.
Maralah expected they would take Araduan just as easily as the other cities, but not before she evacuated her Patron, burned the archives, and took a legion of them with her unto death. She did not mind dying here. Her brother’s army was only half a day away, slowed by spongy tundra and permafrost made unpredictable by the summer’s heat. When he did finally sweep into the city, after it was taken, she relied on him to murder any stragglers she could not finish herself.
Maralah summoned an air-twisting parajista at the height of his power to secure Aaraduan’s inner and outer gates with shimmering skeins of air and soil. She gazed at the cracked face of the ascendant star, Para, glowing milky blue in the lavender sky. She cursed the invaders for not coming ashore fifteen years earlier, when her star, Sina, was ascendant, and she was the most deadly power in Saiduan. She felt only the most tenuous connection to her violet-burning satellite, now, and could do little more to aid in the shoring up of the gates than give orders. Her days of calling lightning and fire from a clear sky were long behind her. If all here went as she foresaw, she would die before seeing Sina again.
Maralah marched into the hold to watch the burning of the archives. A half dozen sanisi—Saiduanese assassins blessed to call on the stars, as she did—tossed ancient records of bamboo, human skin, carnivorous plant exoskeletons, finger bones, and the pounded carcasses of winged insects—most of them long since extinct—into the roaring hearth. On some other day, one not so mad, Maralah imagined the Patron of Saiduan himself sitting beside the hearth with a book of poetry, tracing the columns of text with his worn fingers as a sinajista conjured a flame for him to read by. But the Patron would never sit here again. The room itself would be eaten soon, and the sanisi with it.
What records they could not save, they destroyed. Maralah had heard the same reports from every city—the invaders went first to the libraries and archives, drawn there like spotted beetles to the nectar of claw-lilies. Whatever knowledge they searched for, she would rather see it burned than give them the satisfaction of having it.
Like the other sanisi, Maralah dressed in a long black coat of firegrass and fibrous bark that touched the heels of her boots. She wore a knee-length padded tunic and long trousers. The hilt of her infused sword stuck up through her coat, a twisted branch of willowthorn that glowed faintly violet. The weapon marked her as one of Sina’s soul stealers. Even in Sina’s decline, the weapon retained its power. She could still kiss a conjurer to death with it.
The youngest of the sanisi, Kadaan, looked up from the stacks. His dark hands were smeared darker with soot. As a boy, it was Maralah who put his own Para-infused bonsa weapon in his hand, a snarled yellow branch that burned blue when he drew it. She ensured he was apprenticed to the best parajista she knew, a man who taught him to channel Para’s breath to unmake the weather and push down walls of solid stone with a strong breeze. It was she who took responsibility for his fate now.
“We’re nearly done here,” Kadaan said. “Let me die on the wall with the others. I won’t become their slave.” Maralah saw the fire reflected in his bright eyes. Oh, to be twenty-odd years old again. And foolish.
The archivist who oversaw the purging of the archives, Bael, was already well gone with what he chose to save. Maralah wished she could have sent her youngest sanisi with him.
“The ones at the wall will be dead in an hour,” Maralah said. “Killing a single biting tendril achieves nothing. You must burn out the weed’s nest. Keep burning.”
Maralah stepped into the corridor outside the archive room, seeking relief from the oppressive heat. She heard a great yawning sigh move through the hold. Maralah let her fingers linger on one of her shorter blades and walked into the long mirrored hall that faced the coast. She gazed across the jagged black city, still bundled in a husk of late summer snow, to the harbor where the invaders anchored their fantastic bone and sinew boats. She’d had to sneak the Patron, his broodguard, and the archivist out across the mosquito-filled tundra in the other direction, hoping her brother’s army found them before some group of foreign scouts.
She looked for the source of the sigh, but saw no evidence of it. From this vantage, the sound of the slithering plant life devouring the walls was indistinguishable from the thrashing of the sea; they drown out all else.
She rested her hands on the warm railing. The holds this far north were ancient things, grown and manipulated by long-dead tirajistas, back when they had been called something else, something far more fearsome. Those sorcerers had since become priests, torturers and engineers, because their work still breathed and grew; it lasted. But something that was grown could be eaten. And the invaders knew it.
Maralah heard the low, keening sigh again. She pulled at the collar of her coat. Some may have thought it was just the wind blowing through empty corridors, creeping through wounds in ancient living walls, stirring paper lanterns whose flame flies had long since died. But she knew better.
Maralah drew the short blade at her hip, pivoted left, and thrust deep into the shadows of the curtained balcony behind her. The blade met resistance. Slid through flesh.
A man hissed, and yanked his body from her blade.
“Taigan,” she said as he pulled out of the shadows, clutching at his bleeding side. She sheathed her blade. “You have gotten soft… and noisy.”
“Release your ward on me,” he said, “and you’ll see just how soft I am.” He took his bloody fingers away from his side. The blood around the wound began to bubble and hiss as he repaired himself. She smelled burnt meat.
Taigan dressed in oiled leather and a padded brown dog hair coat. He carried no visible weapon. Tall and dark, his hair was shorn short, and he stooped awkwardly; wreckage from a wound she had inflicted on him, one he could not repair himself, not unless he persuaded another sanisi with her talents to assist him, and only when Sina was again ascendant. When the Patron stripped Taigan of his title four years before for betraying him, Maralah removed the ward that bound Taigan to the Patron. Maralah suspected the Patron would have killed him, if killing Taigan was possible, but his talents were too useful to see him waste away in exile in some fishing village.
“Was she the one?” Maralah asked.
Taigan shifted his weight as another cold wind curled in through the windows, bringing with it the smell of the sea, and the acrid stink of the plants. “She died in the ruin of a tattered gate,” he said, “so let’s hope not. Perhaps all of those who can open gates are dead, and you can let me go in peace.”
Maralah went back to the rail and watched the invaders disembark from their bloated boats. The men’s chitinous armored forms rippled up the beach. All men. She had yet to see a woman among them. They rode no dogs or bears, brought with them no pack animals or siege engines, only the burbling plants and fungi and red algae tides, and those they tugged with them from coast to coast, like fish dragged along in great nets.
As she watched, a bit of the sky tore above the ships, like something from a fantastic nightmare. She had a glimpse of some… other place where the sky was a murky amber-orange, as if on fire. A rippling shadow crossed the sky there; a black mass that made her skin crawl and her breath catch. The sky shimmered again, and the seams between her world and… the other closed. She let out her breath. She pointed at the sky. “The world is ready to come apart on its own. There’s an omajista more skilled than you who can control it.”
They had started seeing those mad tears in the sky eight years before, in the far, far north. She had not believed the sightings at first; thought it was just some drunk tuber farmer enchanted by especially brilliant northern lights. But no. Oma, the dark star, was creeping back into orbit. The worlds were coming together again far sooner than anyone anticipated.
“There will be an omajista among the Dhai people who can open the way,” she said. “There always is, when Oma rises. You don’t have that many Dhai to pick through. We only need one.”
“They’re weak-minded cannibals. Let them take that maggoty country, and their omajistas with it.”
Maralah had fought the invaders on every coast, in every province, at the height of every snowy peak. When she sought out her father’s house in Albaaric, after the fighting, she found only a weeping ruin and the slimy remnants of red algae smearing the walls at knee height, where the highest tide had reached. She and her brother had not spoken to her father or sisters in twenty years, but she went to the house in search of living kin—a near-cousin, a second-mother, even a village brother—despite the silence. She found nothing but the taste of smoke. They never left the bodies, these invaders. What they did with them… Maralah did not care to guess. But rumor had it they had a taste for blood.
“The city is done, Taigan,” Maralah said. “Now you must decide if you’ll perish with it.”
“May your roads run long, then,” Taigan said, grimacing.
“And yours,” Maralah said. “Don’t come back without an omajista. A real one. You understand?”
“They’ve reached the walls,” he said.
Maralah looked. Brown, slithering plant flesh swarmed the shimmering blue walls, even as the structure spat and hissed at them. The sanisi standing at the top of the walls raised their hands to call on the ascendant star Para, Lord of the Air, for protection.
When she looked back, Taigan had gone.
Maralah took the worn hilt of her weapon, and pulled it from the sheath at her back. The room cooled. A soft violet light emanated from the length of the willowthorn branch. In response to her touch, the branch awakened; the hilt elongated and snapped around her wrist twice, binding her fate to the weapon’s. She watched blood weep from the branch, gather at its end, and fall to the stones. The weapon sang to her, the voices of hungry ghosts, all Saiduan, all collected in the living weapon when Sina was at its height. The invaders did not have ghosts, because their souls were not of this world. A pity, that. Her weapon was always so hungry.
Maralah swept the sword over her head and slammed it into the living flesh of the hold. Violet light burst across her vision. The weapon keened. The hold wailed as a massive wound appeared on its face. Thick, viscous green fluid gushed from the hold, pouring across her forearms, her boots. Her weapon licked greedily at the soul of the hold.
She prayed to Sina it would be enough to survive the night.

Fearie Tales: Stories of the Grimm

August 19, 2015 - 4:43 am No Comments

Edited by Stephen Jones
Illustrated by Alan Lee
Jo Fletcher Books
Page size: 409pp
Release Date: Summer 2014

With the inception of TV series Grimm, and the fascination with all things Grimm or Fairy Tale, it’s no surprise that there have been a plethora of fairy tales retold hitting the literary market. However, it takes a lot to stand out from the crowd, and this visually stunning hardback, which is surely intended to be a collector’s piece, manages just that.
Edited by genre stalwart Stephen Jones, featuring art work (each story/fairy tale is illustrated) by Alan Lee, this is a beautiful work of art. And to top it off, the writers list is simply a prize for any editor, and lover of dark fiction.
The tome starts with an introduction by Jones, which discusses the Grimm brothers, the oral tradition of folk tales and the dark nature of these stories, some of which are included in this horror anthology.
The book starts with ‘The Wilful Child’ which leads neatly into ‘Find My Name’ by Ramsey Campbell, an alternative Rumplestiltskin in which granny Doreen looks after young Benjamin, who talks about the dark man who visits him at night. The man who speaks to her through the baby monitor, demanding what he wants her to give him. Surreal and dark, this tale really is a twisted story, and the Rumplestiltskin of the story is thoroughly evil. When you read a Ramsey Campbell you know it deep within your bones; like a Barker, a King or a Jackson, there is a distinctive inimitable style to his work that leaves you uncomfortable yet strangely fulfilled. This is the stand out story of the anthology, along with ‘By the Weeping Gate’ by Angela Slatter.
Next up though in the running order worth mentioning is ‘Down to a Sunless Sea’ by Neil Gaiman of Neverwhere fame. Less than a few pages long, this simple, lyrical tale is fascinating and strangely compelling. I’ve obviously heard of Gaiman, as have many within the genre, and on this tale alone, his talent is obvious.
If time were on my side I could relate every story, spoil the plots for the reader and write the longest review in history. Not really a good idea, so this is just a taster.
Suffice to say, with the stunning illustrations, the original fairy tales and new versions of each by a brilliant selection of authors, this is one absolutely beautiful collection. A must have for any horror fan. This is Grim/m with a Capital G

Lost Souls

August 17, 2015 - 6:04 pm No Comments

Reviver Book 2
Author: Seth Patrick
Publisher: Pan Macmillan
Release date: 13th Aug 2015
Page count: 375pp
Reviewer: Theresa Derwin

The second book in the Reviver series follows 28 year old Jonah Miller, the youngest of the Revivers ever taken on at age nineteen, in the Forensic Revival Service as he enters his ninth year of getting testimony from the dead. The FRS is under constant threat from the Afterlifers, a coalition intent on bringing Reviver work to an end. So when fifteen year-old David Leith dies, Jonah is called in to handle the revival; namely because the boy’s father is one of the chief Afterlifers and his permission has not been sought for the revival. The mother wants to go ahead with it, and wants to say goodbye to her son, so things go awry in a major way during the revival and Jonah, tired of their interference, decides to resign. On top of coping with a new future things aren’t great with his girlfriend Annabel, who’s traipsing all around the country investigating a case from last year involving the Afterlifers and doesn’t seem to have time for him.
After his resignation Jonah is called in for a private revival, a murdered woman. And she’s not the only victim. Her memories show there is something waiting in the dark. Linked to Andreas Biotech; bringing up memories of the past.
This plays like a supernatural/noir/detective story with a Cthulhu-esque vibe and it plays it very well. Jonah is an eminently likeable character and narrator. There are things he knows or suspects that he won’t quite tell the reader – yet – which adds to the growing mystery of the story. With Annabel interspersed as an occasional narrator we also learn more about her feelings for Jobah than he actually knows, and she collates the pieces of the Andreas puzzle that lead to the conclusion. There is a great amount of emotion throughout the novel, mostly from Jonah and a significant amount of respect for the dead. As the action progresses and we meet more characters the depth of this excellent novel increases, and the elements of horror interwoven through the story are perfectly handled. A truly excellent book with a cracking cliffhanger boding well for the third instalment.